History

Far to the north, on New York City's westerly side—stands almost the sole American memorial to a super-woman. It takes the shape of a colonial dwelling, two and a half stories high, white, crowned by a railed gazebo, and with rear extensions and columns and the rest of the architectural fantasies wherein our new-world ancestors rejoiced. It is called the Jumel mansion, after Madame Jumel, although it originally belonged to Mary Morris, an earlier and more beautiful man-slayer, at whose dainty feet George Washington, with solemn, but futile, protestations, deposited his heart; and although the woman whose name it bears ended her days there, not as Madame Jumel, but as Mrs. Burr.

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We may picture the tiny demure maiden pacing the green alleys and smooth sward of Bradgate, with her Latin books and her exalted religious meditations, a fervent mystic, with no knowledge of the great world of greed, ambition, and lust, of which she, poor child, was doomed to be the innocent victim.

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The dining-halls had ivory ceilings, from which flowers fell. The walls were alive with the glisten of gems, with marbles rarer than jewels. In one hall was a dome of sapphire, a floor of malachite, crystal columns and red gold walls; about the palace were green savannahs, forest reaches, the call of the bird and deer; before it was a lake, eight acres of which Vespasian had drained and replaced by an amphitheatre, which is still the wonder of the world.

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There is something Greek, something akin to Œdipus and Thyestes, in the tragedy of Anne Boleyn. It is difficult to believe that we are viewing the actions of real people subject to passions violent indeed yet common to those of mankind, and not the creatures of a nightmare. Yet I believe that the conduct of the three protagonists, Henry, Catherine, and Anne, can all be explained with the aid of a little medical knowledge and insight.

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"No one can say that he is free from sin. I am a woman and human, and have offended God, and I repent of my sins, and pray God to forgive me, doing penance for the same; but at present I do not know to whom I could or should confess--God forbid that I should ask you to be my confessor."

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Ninon, then, at fifteen, was left alone in the world. And her actions in this sad state conformed to those of the customary helpless orphan—about as closely as had her father's death speech to the customary "last words." With a shrewdness miraculous in so young a girl, she juggled her Touraine property in a series of deals that resulted in its sale at a little more than double its actual value. Rich beyond all fear of want, she settled in Paris.

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When it was completed, I turned my thoughts bravely to the future, wondering, first, what the next day would bring forth, then making plans for the carrying out of my project. I wondered if I should be able to pass over the river to the goal of my strange ambition, to become eventually an inmate of the halls inhabited by my mentally wrecked sisters. And then, once in, what would be my experience? And after? How to get out? Bah! I said, they will get me out.

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Whatever the impartial historian may write, he can never induce the people at large to understand that this queen was far from queenly, that the popular idea of her is almost wholly false, and that both in her domestic life and as the greatest lady in France she did much to bring on the terrors of that revolution which swept her to the guillotine.

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